Most film pages sell you a feeling. This one walks you through the day itself — where I am, what I am recording, and what comes back to you afterwards. Open any stage below.
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We go through the timeline hour by hour on a call — who matters, which rooms have light, and the ten minutes you would be heartbroken to lose.
A short note confirming arrival time, what I am wearing, and the one or two things I need from your planner. Nothing else lands in your inbox.
A teaser lands, cut short and shareable, while everyone is still asking how the day went.
The film itself, graded frame by frame, with a gallery link that does not expire on you in a year and footage archived behind it.
Twenty minutes of portraits, and an honest timeline. That is the whole list.
If something needs setting up — a letter opened on camera, a first look given room to breathe — I will say so and we will set it up properly rather than pretending it happened by itself.
Two weddings in a weekend. A shot list of poses. A queue your edit waits in.
One wedding a weekend means the week afterwards belongs to your footage, and you get the person you spoke to on the phone — on the day, and in the edit.
Three collections with the numbers printed, so you can decide whether we are in the same range before either of us spends an hour on a call.
See the collections