One person you will
actually meet.
It started as a hobby — a borrowed camera, weekends spent cutting footage nobody had asked for. The habit outgrew the free time. Within a couple of years the hobby was the job, and the job was full.
Brodie directs, shoots and cuts every film that leaves the studio. That is the whole pitch: the person who framed a moment is the person who decides whether it survives the edit, so nothing gets lost in a handoff and nothing comes back looking like someone else made it.
On bigger shoots he brings in trusted second shooters and assistants for the day. The direction, the camera and the final cut never change hands.
It started with one camera and no plan to make a living from it.
What stayed is the reason it started at all: most video is made to fill a slot, and it shows. Better to make one film worth finishing than a library nobody watches twice.
The work splits about evenly between brands and families, and that is the reason both halves are good. A wedding teaches you to shoot what is actually happening; a commercial teaches you to make a point in ninety seconds. Nobody gets the B team, because there is only one team.
We keep the calendar
thin on purpose.
Around thirty projects a year, so yours is never the fourth thing that week.
Check your date